Japan and the High Treason Incident (Routledge Contemporary Japan Series)

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Usually delivered in days? Sanbook 2. Following a trial held in camera, twelve of the so-called conspirators were hanged, but while the executions officially brought an end to the incident, they were only the initial outcome as the state became increasingly paranoid about national ideological cohesion.

Routledge Contemporary Japan Series

In response it deployed an array of new technologies of integration and surveillance, and the subsequent repression affected not only political movements, but the whole cultural sphere. This book shows the far reaching impact of the high treason incident for Japanese politics and society, and the subsequent course of Japanese history.

Taking an interdisciplinary and global approach, it demonstrates how the incident transformed modern Japan in numerous and unexpected ways, and sheds light on the response of authoritarian states to radical democratic opposition movements elsewhere.

The contributors examine the effects of the incident on Japanese history, literature, politics and society, as well as its points of intersection with broader questions of anarchism, colonialism, gender and governmentality, to underline its historical and contemporary significance.

With chapters by leading Western and Japanese scholars, and drawing on newly available primary sources, this book is a timely and relevant study that will be of great interest to students and scholars working in the fields of Japanese history, Japanese politics, Japanese studies, as well as those interested in the history of social movements.


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Nevertheless, despite common conflations in feminist theory of sexual equality standpoints with assumptions of 'sameness' with men e. This demand for recognition of an equality attuned to individual difference does not suggest that Suga, Noe or Fumiko would necessarily follow the lead of her male partner, politically or philosophically.

Nor do their works suggest that the political stance of any one of the three could convincingly be reduced to feminine self-sacrifice for her man , or to the deranged passions of the typically feminine 'hysteric'.

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Sadly, however, historians and biographers have been amongst those guilty of an unthinking recourse to conventional gender constructs of feminine subjectivity, as I demonstrate below. Although it may not have been their conscious intention, in their late writings we see multiple narrative emplotments at work: epic heroism, tragedy, and even irony.

No life is inherently heroic or tragic, even where a subject feels forced by circumstances to ascribe a single meaning to that life.

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When an individual is on trial facing possible execution, she might well feel that resistance and struggle had defined her life; and represent it in such a way regardless of whether intimates or antagonists were the intended audience of a diary or memoir. Yet conventional emplotments have a way of subverting themselves, leaving a text open to multiple readings. The identities of their authors, too, should be interpreted in a manner that is alert to their complexities rather than being reduced to one essentialised feature or meaning.

I draw on narrative theory in the main part of the essay where I contrast the women's selfrepresentations with those by contemporaries and later scholars. An unknown error has occurred.

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